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Thai poetry
Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). It consists of five main forms, known as ''khlong'', ''chan'', ''kap'', ''klon'' and ''rai''; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th centuries), during which it developed into its current forms. Though many works were lost to the Burmese conquest of Ayutthaya in 1767, sponsorship by subsequent kings helped revive the art, with new works created by many great poets, including Sunthorn Phu (1786–1855). Prose writing as a literary form was introduced as a Western import during the reign of King Mongkut (1851–68) and gradually gained popularity, though poetry saw a revival during the reign of King Vajiravudh (1910–25), who authored and sponsored both traditional poetry and the newer literary forms. Poetry's popularity as a mainstream form of literature gradually declined afterwards, although it is still written and read, and is regularly employed ceremonially.
==Forms==
Thai poetic works follow established prosodic forms, known as ''chanthalak'' ((タイ語:ฉันทลักษณ์), ). Almost all have rules governing the exact metre and rhyme structure, i.e. the number of syllables in each line and which syllable rhymes with which. Certain forms also specify the tone or tone marks of syllables; others have requirements of syllable "heaviness". Alliteration and within-line rhyming are also often employed, but are not required by the rules.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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